Libretto by Gene Scheer & Music by Jake Heggie
Moby Dick premiered at the Dallas Opera in 2010.
[Moby-Dick] is a large, epically proportioned work … the music is flawlessly beautiful, like a jewel. It is intensely lyrical, powerfully moody and superbly well paced. There are no disjunctures of style or breaks in dramatic flow; instead, Heggie has created a giant symphonic poem through which he threads the voices majestically and gloriously.
Moby-Dick is a triumph! ... a total and memorable experience. What an exciting city and time we live in that gives rise to an international collaboration that produces a modern masterpiece such as Moby-Dick.
The score is studded with vivid scenes in many modes. But the distinction of Moby-Dick lies less in its parts than in the whole. Though the action is episodic, the libretto holds a taut arc. The score holds together, too, shaped by the gravitational pull of the ties, ever-changing in the music yet ever-present. Ribbons of silken melody, played by solo winds and reeds, ripple high above, like wayward breezes. Pizzicati conjure up pinpricks of starlight on the waves. Under the baton of Patrick Summers, the score unfolded majestically, never rushed yet never meandering, the dramatic incidents clearly set off within the greater flow.
Earlier this month I saw the future of opera. It is Moby-Dick at Dallas' Winspear Opera House.
Melville's Moby-Dick has been called the Great American Novel. Jake Heggie's telling of the story is certainly a great American opera... ...a vibrant cast, headlined by Canadian star-tenor Ben Heppner, an atmospheric set enhanced by vido projections, and Heggie's sumptuous, noble score combined on May 5 for an exhilarating evening of music and theatre...
...probably one of the most successful new operas to reach the stage in the past quarter century.
Not only do I suspect that Moby-Dick will propel Heggie to the first rank of the extraordinary current crop of contemporary American opera composers, I believe that it quite possibly...will become the most popular opera written so far during our young century.
Moby-Dick turned out to be one of the most satisfying new operas I've seen premiered... the opening-night crowd in Dallas broke into spontaneous applause three times during the first half, and screamed and yelled its approval at the curtain calls. It was a wonderful and rare reminder that new opera truly can excite people if it's done right.
...Mr. Heggie's opera was an undeniable success: The end of its maiden voyage was greeted with a sustained, rousing ovation, with shredded programs fluttering down from the highest seating level. The strongest response was reserved for Mr. Heggie and Mr. Scheer, received at the end with a triumphal roar.
This grand American epic, featuring music by Jake Heggie and a libretto by Gene Scheer arrives in Chicago on the heels of critically acclaimed performances in Utah, Pittsburgh and San Jose. The production is conducted by Staley Music Director Lidiya Yankovskaya and directed by Kristine McIntyre. The design team includes David Jaques (Lighting), Erhard Rom (Sets) and Jessica Jahn (Costumes.) “‘Moby-Dick’ is a stunning work of extraordinarily powerful music and gripping storytelling,” said Yankovskaya. “Jake Heggie and Gene Scheer have drawn from the most compelling and dramatic passages of Melville’s epic, crafting a deft adaptation that has thrilled audiences across the globe. We’re proud to be bringing this important American opera to Chicago audiences for the first time.”
3 flutes (one doubles piccolo), 3 oboes (one doubles English Horn), 3 clarinets (one doubles bass clarinet), 3 bassoons (one doubles contrabassoon), 4 horns in F, 3 trumpets in C, 2 trombones, 1 bass trombone, 2 percussion, 1 timpani, harp, strings
The following companies have performed or scheduled future performances of the opera:
- The Dallas Opera (Apr 2010)
- State Opera of South Australia (Aug/Sept.2011)
- Calgary Opera (Jan 2012)
- San Diego Opera (Feb 2012)
- San Francisco Opera (Oct 2012)
- The Washington National Opera (Feb 2014)