Libretto by Gene Scheer & Music by Jake Heggie
Moby Dick premiered at the Dallas Opera in 2010.
The seamless combination of projections, the physical set and live action is astounding, seeming to blend opera with theatre, circus, cinema and visual art into a multimedia extravaganza. It has to be seen to be believed.
Moby-Dick is a triumph! ... a total and memorable experience. What an exciting city and time we live in that gives rise to an international collaboration that produces a modern masterpiece such as Moby-Dick.
...probably one of the most successful new operas to reach the stage in the past quarter century.
Earlier this month I saw the future of opera. It is Moby-Dick at Dallas' Winspear Opera House.
Moby-Dick turned out to be one of the most satisfying new operas I've seen premiered... the opening-night crowd in Dallas broke into spontaneous applause three times during the first half, and screamed and yelled its approval at the curtain calls. It was a wonderful and rare reminder that new opera truly can excite people if it's done right.
Composer Jake Heggie has found the musical equivalent of Melville's rich prose in his roiling and sparkling orchestral score, while librettist Gene Scheer perfectly captures the book's original tone and language, even as he drops the first-person narration. (Seen the movies? Scheer's tight storytelling improves upon the film condensations of the book.)
Melville's Moby-Dick has been called the Great American Novel. Jake Heggie's telling of the story is certainly a great American opera... ...a vibrant cast, headlined by Canadian star-tenor Ben Heppner, an atmospheric set enhanced by vido projections, and Heggie's sumptuous, noble score combined on May 5 for an exhilarating evening of music and theatre...
[Moby-Dick] is a large, epically proportioned work … the music is flawlessly beautiful, like a jewel. It is intensely lyrical, powerfully moody and superbly well paced. There are no disjunctures of style or breaks in dramatic flow; instead, Heggie has created a giant symphonic poem through which he threads the voices majestically and gloriously.
... an astounding journey. The Great American Novel has become a grand new opera.
...reveals a composer whose depth and sophistication is growing with time, and the music world is the better for it.
3 flutes (one doubles piccolo), 3 oboes (one doubles English Horn), 3 clarinets (one doubles bass clarinet), 3 bassoons (one doubles contrabassoon), 4 horns in F, 3 trumpets in C, 2 trombones, 1 bass trombone, 2 percussion, 1 timpani, harp, strings
The following companies have performed or scheduled future performances of the opera:
- The Dallas Opera (Apr 2010)
- State Opera of South Australia (Aug/Sept.2011)
- Calgary Opera (Jan 2012)
- San Diego Opera (Feb 2012)
- San Francisco Opera (Oct 2012)
- The Washington National Opera (Feb 2014)