It's glorious and it's gripping; it's grand — and it's good! Heggie — assisted by his seasoned librettist Gene Scheer — has achieved something with Moby-Dick that American opera has not experienced in a long time: they have created a work of quality that should garner itself an immediate place in the repertory of opera houses around the world. Director Leonard Foglia worked with the hand of a sorcere to blend projection designs by Elaine McCarthy into an overpowering and effective whole with designs by Robert Brill and lighting by Donald Holder. Never did these visual aspects threaten the primacy of Heggie's score, in which there is not one superfluous note. Patrick Summers, Heggie's perennial collaborator, evoked magnificent playing from The Dallas Opera Orchestra in giving birth to what is obviously a modern masterpiece of music theater.
- “Moby Dick” Reviewed by The Washington Post
- “Moby Dick” Reviewed by Opera Warhorses